Saturday, February 17, 2018

Running in the Dark: Creative Nonfiction by Maureen Deaver Purcell

Running in the Dark

by Maureen Deaver Purcell

            Even on a mildly bad day, my father, a good German Catholic boy, would never think of disrespecting a priest.
But this time the priest created a very bad day.
My mother had described to the priest the person her husband became when he got drunk, and the Father dared her to prove it. He and one of his priest pals got it into their heads that they would have my parents over one evening and then get my father the drunkest he had ever been, just to see if it was true – that he was a bad drunk.
On the night of the experiment, in his stupor, Dad broke a chair. I think he tripped over it. Afterward he fled the rectory and drove the block and a half home while our mother lingered to discuss the situation with the priests.
            My brother and I were sitting in the living room watching television that night when we became aware that our father was standing in the dark doorway between the kitchen and dining room. He knew we could see him, holding onto the doorframe, rocking uncertainly. In order to get to the bedroom upstairs, he would have to walk through the dining room laid open by a 10’ wide frame.
There were three large rooms in the downstairs of our house on Scott Street. Each room had two of these wide doorways connecting it to another room. My brother and I used to drive our mother crazy running the circle those doorways created, ducking just inside an interior wall and tripping whichever sibling came around the corner. The front room, aptly named, was the full width of the house, wide enough for a couch, a 7-foot grand piano, a spinet organ, and an oak-turned and paneled staircase.
On this night, this terrible night, my father seemed to be weighing his options, whether to dart directly through the dining room and risk rattling the good glassware in the china closet and tipping over the candlesticks on the table or cutting through the living room and risk the glare of bright lights and the eyes of his children. Time and again he retreated back through the kitchen and out the door to the yard, probably hoping the night air would clear his head and steady his walk.
 The phone was just inside the kitchen door. When Dad walked back outside, my brother began calling the church rectory and asking the priests to send our mother home.
            In a while, they said, in a while.
            Our father came back in to make another try. Breathing heavily and smelling of alcohol, his attempts to keep balance continued with quiet knockings against cabinets of dishware, the table that held salt and pepper shakers, desk drawers filled with loose pens and pencils. He couldn’t help but make some noise or other. Once again he seemed to be assessing the route he would take: just twenty feet through the shadows to the piano, and another ten feet to the assistance of the bannister and up to the bed.
He turned and retreated to the back porch and quiet night.
            At 10-years-old, my hands had started to freeze up during stressful times, not cramp exactly, but just freeze, almost into talons. My mother told me when this happened I should soak them in hot water – as hot as you can stand it, she said – and the heat would release the muscles. On that night, each time my father turned to go outside, my brother would run to the phone in the kitchen while I would run to the little bathroom under the stairs, plug the sink and turn on the hot water. Behind the solid oak door, the little girl reflected in the mirror became brave.  She looked through the steam, put on her strongest face, and told off everyone who had hurt her.
            My brother decided the only way our mother would come home was if we went to get her. Maybe they’re not giving her the message, he thought. Leaving the blue glare of the black and white console television, we called our dog and headed out the front door.
             Scott Street was very dark. Small, scalloped tin shades twirled above the street lights like ballerinas and hung across the intersections, but they didn’t reach the tree-lined blocks in between, and none of the lamps in the neighbors’ windows cast enough light to reach the familiar sidewalks on our block. We ran by memory, barefoot, first along the cement and then across the brick pavers at the next intersection. The next street was asphalt and slivered with cinders that hurt my feet until I could reach the cool, waxy grass. We ran across the yards around the next corner and on to the rectory that was Fr. Casey’s home. It was hard keeping up with my brother; he kept yelling at me to hurry. By the time we got to the house, we were, all three, panting alike.
When we knocked on the door, the overhead light came on over the small stoop and the priest we didn’t know, Monsignour Moriarity, opened the door. He spoke to us through the screen.
            My brother told him his name and said, “We want our mother to come home. Now.”
            We could see her standing down the hall, holding her hair back from her forehead as if she had been sick.
            “She’ll be along, she’ll be along.”
            “But our dad is home and we need her, too.”
            “She’ll be along,” the old priest continued.
And then he did it. He shut the door. He shut the door on the children.
            When our mother realized that my father’s drunken display brought forth no constructive plan from the priests, and that her husband, in fact, had been humiliated, she hung around the two loosened Roman collars to discuss her own plan of action. This, too, they denied her.
They told her that should she divorce her husband, neither he nor she would be allowed to receive any of the sacraments that nourished the Catholic faith. They added that divorce in that small town in the late 1950s was still a scandal, and further, Dad probably would not only continue to drink, but his problem might become worse. And it would be her fault.
            By the time we got back to the house, our father had found his way upstairs to the bedroom. The dog, a Brittany Spaniel, collapsed on the cotton shag rug in front of the fireplace, panting heavily, like he did after every hunt. My brother stretched out next to him, gulping away his 12-year-old’s tears.
My brother had been able to stay ahead of the drinking by taking aim at the bottles he found hidden in the cellar and the attic of the garage. Patient as the spaniel, he sniffed them out of the deepest and darkest corners of our home, lined them up in front of the brick foundation in the basement or along the edge of the firewood box in the garage, and proceeded with mass executions. He left the smell of Prohibition in the air along with quite a collection of pellets and broken glass; and he left the carnage for the enemy to find. So he would know. The child sharp shooter just hadn’t considered looking for the bottles behind the bar in the rectory two blocks over.
            It had been an adventure for me, running in the dark. My face was damp and flushed, even before steam fogged the mirror as it boiled up from the bowl, even before the sink became a thermal pool that quietly soaked the tension from my hands. I wasn’t scared then. It had been worse than normal but still I wasn’t scared. You don’t scare me, I bravely told all the monsters in the mirror.
You take your chances when you run in the dark; there’s a surprise in every shadow. Sometimes the most important people fail you: my father, my mother, even my brother who ran so far ahead that I had to walk alone in the dark the last three houses from home, and the priest whose act I considered the first nail in the coffin that ended my relationship with the church (there would be other nails later). I remember the little girl in the mirror. If you survive, the bravest thing you can do is forgive.

           Maureen Deaver Purcell is a writer and civic volunteer who lives in Indianapolis with her newly-retired husband and ever-vigilant dog. Her three grown children live in the Midwest of the US and the Midlands of the UK. Originally a commercial copywriter in radio and later a feature writer for a company newsletter, Maureen now meets monthly deadlines for her church newsletter and meets semi-monthly with her Women Writers’ group. This is one story of a collection titled Scott Street Stories.



Monday, February 12, 2018

How to Love Someone With Bipolar Disorder, a prose poem by Becky Armoto

How to Love Someone with Bipolar Disorder
by Becky Armoto

Every January morning, we’d eat breakfast from our wedding-gift
waffle maker, shivering like abandoned children (and we were
children) in our heat-controlled apartment, where frost decorated
the inside of the windows in snowflakes. Wrapped in quilts, we sat
on an old futon that doubled as both our couch and our bed. So
broke and so in love, we believed entire diamond-bright galaxies
revolved around us. How could we have known my six-month
depression was more than homesickness? Ten years later, we
found ourselves in marriage counseling, sitting across from each
other like war generals. I looked at the Nativity set on the end table
where cold, hard, chipped baby Jesus stared at nothing. I stared
back at my husband and said, “I can’t love you anymore.” In spite
of this, he carried me through the day to day realities of child-caregiving,
shopping, cooking, bill-paying, and washing laundry as I lay in bed.
Now, ten more years have passed. What would I do without this man
who wakes me with frothy cappuccinos and stashes chocolate in cases
of emergency? This man who, when I state his life would be better
without me, cups my face in his work-worn hands and replies, ever
gentle, “That’s crazy talk.”

Bio: Becky Armoto received her MA in English from Indiana University and currently lives in Greenwood with her husband, as well as her three teenage sons, whom she home schools. Her work has been published in Flying Island, Tipton Poetry Journal, and genesis.

Monday, February 5, 2018

All Memories Are Really Half Memories, a poem by Rosemary Freedman

All Memories Are Really Half Memories

by Rosemary Freedman

All memories are really half memories;
a pie without the smell of the pie.
A photo of you fishing
without the sting and swell of mosquito bites.
The lake with small granite colored waves
and we cannot recall the name of the boy
who drowned there, or even that he drowned.

We think back and see all the clear faces,
but they were never really clear,
because the sun was almost completely blinding.
And this is how it is, our brains
on perpetual auto-correct, fixing the broken half-faces.
Correcting all the flaws. Tricking us.

Sometimes we wake up
and all that is left are uncorrected proofs.
The half face we could not see
is filled in with the imperfections,
or left empty to show what never was.

Sometimes we see just a blur. The photo someone took
when putting the camera into their purse.
The memory we did not pay attention to—
like that one girl who sat alone in the cafeteria.
You know—the one with the sleeveless vest people laughed at.

We keep our memories like children playing four-square,
all of us seeing them from our own angle.
Some of the stuff we forget makes life easier.
Children whose mother left them waiting
on the front steps
for a Christmas visit,
only to get a visit from The Salvation Army people.

They remember the opening of presents
on the screened in front porch of grandmother's house.
They leave out the part that no one was welcome
beyond the screened in area, because grandmother
was a hoarder. They do not remember their mother being too drunk to show up.
All they recall is playing the red and teal Rockem-Sockem Robots
all evening, and the laughter and
all the bright colors.

From Rosemary Freedman: “I am married and have seven children. I have a B.A. in creative writing and literature, and a master's in nursing education, a post-master's as a Nurse Practitioner and a post-master's as a Clinical Nurse Specialist. When I am not writing poetry, I work as an advanced practice nurse.”

Monday, January 29, 2018

Head Up, a poem by Manon Voice

Head Up
by Manon Voice

shoulders back.
Don’t tell them how you struggled to get out of the book laden bed
impoverished with broken poetry hooks
ringing over your head
a quarter widowed wine glass
you took with an antidepressant and the taste of your own salt.
How you fed the dog and didn’t yourself.
How you barely breathed in the shower
And clothed yourself in war black because it was easiest to hide in.
On the way
there was no song somber or sultry
enough for the trip, everyday
how you survive the loneliness of the driver side
the overwhelm of that much control between the breadth of your hands.
Don’t tell them how you count miles as the making of a life and numbers
grow on you slowly edging you out of risk.
Don’t ask yourself
“Where have you been?
after all the “good mornings” and dirt coffee taken with emails.
No one after noticed how your legs hang from the desk chair
nor ever touch the floor,
as if you weren’t here or home or never meant to be, anyway.

Manon Voice is a native of Indianapolis and is a poet, spoken word artist, freelance writer, hip-hop emcee and social justice activist. She seeks to use her art and activism to create a communal space where dialogue, transformation, discovery and inspiration can occur.

Monday, January 22, 2018

Meeting My Grandson in Regensburg/ Cheerios in Bed in Berlin/ A Voice Speaks Late of You, three poems by Norbert Krapf

Three poems by Norbert Krapf:

Meeting My Grandson in Regensburg

A whole Popo
cupped in a hand

a tiny heart beating
against my chest

and puffs of breath
kissing my neck,

I look down upon
an innocence asleep

and would live
long enough

to love and protect
and sing it forever.

Cheerios in Bed in Berlin
You are in bed in Berlin and smiling
brightly as you hold a yellow box
of American Cheerios your Colombian
mother bought you as special treat.

In the next frame your head is tilted
and thrown back, mouth wide open,
as you salivate your circles of O oats!
Little things delight you the most.

Little man who savors what is small
and not always easy or cheap to find,
you readily give yourself to showing
how deeply you appreciate what

comes your way. Your smile is your
expression of gratitude, your thanks
come out baked half German, half English,
and your Love is expressed Wuff-oooh!

You don't want to be anywhere else.
Your favorite munchies are in your mouth.
The right light fills both your dark eyes.
You love the world wherever you are in it.

A Voice Speaks Late of You

Little one, I was listening to voicemails 
and came to a voice no longer here 
except in this last deep-breath message.

This was Louis, your great-uncle,
near the end of his life, summoning
whatever breath his lungs could give.

The message came from a Veteran's Home
in southwestern Louisiana in response
to the picture your grandmother sent to him.

In a low voice full of late gratitude, Great-Uncle 
Louis slowly voices his appreciation of you, 
your coming, your presence, your being

with us here as he was about to leave us.
The sound of his voice is more than half full 
of a world beyond this one calling him there.

Great-Uncle Louis says you are a beautiful child.  
He implies more than he says, lets us know 
he welcomes your sweet sacred presence.

This is the testimony he left behind for you.
This is a recording of his voiced welcome to you.
This is my poem embedded with his love for you.

About Norbert Krapf: The former Indiana Poet Laureate is the author of eleven poetry collections and the forthcoming "Cheerios in Tuscany: Poems by and for a First-Time Grandpa." He is the winner of a Glick Indiana Author Award, a Creative Renewal Fellowship from the Arts Council of Indianapolis, and he collaborates with bluesman Gordon Bonham. More:

Monday, January 15, 2018

Restless Night, a poem by Ed Alley

Restless Night

drags to a close.
At dawn, the hospital is waking.
with equipment clatter , 
hallway chatter, 
meal cart’s squeaky wheel,
breakfast on a tray-table,  
meds being fed, 
doctors rounding patients,
bed rumpled, alarms 
if I get up, staff rollover 
at 7.

I sit up, note 
where I am, wish I were home.

I  look out the window  
as molten gold explodes
on the horizon, fills 
the seams in the landscape, blankets
the hospital, sucks 
all the air, overflows
all boundaries, slops 
over the edges,  

the earth.

– by Ed Alley

From Ed Alley: "I woke up in the hospital after treatment for pneumonia. This poem resulted. I've always been fascinated by words, what is said, what is meant, what is left out. Poetry challenges me to go deeper into words, to make them come alive."

Monday, January 8, 2018

Winter Mornings on 17th Street, a poem by Samuel T. Franklin

Winter Mornings on 17th Street
by Samuel T. Franklin

The sky tumbles to Earth and shatters
to ice. Snow folds like colorless oceans
and shifts, greedy, across the trees.

The creek shines clear and clean
as wiped porcelain. A man in dark wool
studies the frozen currents,

drops twigs and pine needles on the ice
and tries to conjure some prophecy of spring.
Wind slips subtle as a thorn

through jackets and gloves.
I do not know this city,
and the ravens are quiet.

The man in dark wool stands,
hopeless, the twigs piled at his feet,
burned by invisible fire.

Samuel T. Franklin is mostly from Indiana, by way of Clayton, Terre Haute, and Bloomington. His first book, The God of Happiness (Main Street Rag Publishing Co.), was published in 2016. He can be found at